African
American Authors Offer a Peek at the Write Stuff
By Chris
Richards
Washington Post Staff Writer
"If
you look at the abundance of writing coming out of the African American
community, it's
almost like a third Renaissance, after the Harlem Renaissance and the Black Arts
movement,"
declares Ethelbert Miller as he saunters across the museum floor. "When I
look across the
country, I see so many writers, writing in so many different genres. These
writers should be
highlighted, attention should be given."
Miller is
the proud curator of "All the Stories Are True: African American Writers
Speak," an
exhibition honoring nine living, breathing African American writers, currently
on view at the
Anacostia Museum. The show is Miller's curatorial debut.
"I
think of myself as a literary activist," says Miller, director of the
Howard University African
American Resource Center. "I pull people in."
And pull
he did. When the museum invited him to curate a show about storytelling last
fall,
Miller reached out to an array of authors working in various fields. "I
wanted people who, when
they talk about their process, would encourage others to write. When you see an
exhibit planting
those seeds, the museum is doing its job," Miller says.
"He
really wants to inspire and excite young people about the possibilities of
poetic and artistic
expression," says author Charles Johnson. "You can tell that by the
authors who are
represented -- there's a continuum of writers."
Johnson,
who won the National Book Award for his novel "Middle Passage" in
1990, may be the
most celebrated author in that continuum. He and recent Oprah Book Club alum
Edwidge Danticat
are featured in the exhibition along with D.C. poet laureate Dolores Kendrick,
children's authors
Eloise Greenfield and Walter Dean Myers, esteemed science fiction authors
Octavia Butler and
Samuel R. Delany, D.C. poet Kenny Carroll and Zora Neale Hurston biographer
Valerie Boyd.
"I'm
happy with this show because it's not the typical suspects," Miller says.
"I think a good exhibit
should have an element of surprise."
The
writers' voices are heard in the exhibition, quite literally. Flat-screen
televisions hang from the
walls, featuring filmed interviews with them. Personal artifacts from the
authors' personal workspaces
are also on display -- from Butler's old typewriter to a quilt stitched by
Boyd's grandmother.
"It
was touching to see the things that I value being treated in such a loving
way," says Boyd. "I was
overwhelmed looking at the materials from other writers and getting a sense of
their interior lives. I
felt a kinship with them and a fascination with what their writing lives were
like."
Process is
revealed by these personal effects, as well as inspiration. Visitors are offered
a behind-
the-scenes perspective of Kendrick's book of poems, "Why the Woman Is
Singing on the Corner."
"I
lent them the original manuscript with all the mistakes and revisions,"
Kendrick explains. "Some
people think authors have a one-night wonder. I wanted to show otherwise."
Boyd has a
similar item on display -- a copy of Zora Neale Hurston's autobiography,
"Dust Tracks
on a Road," blooming with Post-it notes.
"I
went through it very carefully," Boyd says of her research. "Decoding
it, questioning, commenting."
Fleur
Paysour, the museum's media officer, says various programming events will
accompany the
exhibit, which opened in June and will continue through the end of the year.
Student events are in
the works for the fall, she says, as well as speaking appearances by Butler,
Delany, Danticat and
Myers.
Meantime,
Kenny Carroll is coordinating a series of poetry slams at the museum throughout
the
summer. While honored to participate in the show, Carroll hopes his students at
Duke Ellington
School of the Arts won't think of him as a "relic."
"I'm
just glad I'm not at the Smithsonian Natural History Museum," Carroll
joked. "I'm not a total
fossil!"
Chances
are, young visitors will see Carroll and his colleagues as an inspiration.
"Writers
can be heroes to these children," Kendrick says. "That's a legacy they
need in this day
and time."
Says Boyd,
"We have a range of writing like we've never had before. I hope it
encourages young
people to keep pushing the envelope, pushing genres and pushing
themselves."
All the
Stories Are True: African American Writers Speak is on view until Dec. 31
at the
Anacostia Museum and Center for African American History and Culture, 1901 Fort
Place SE.
Open Mic Poetry Slams will be held at the museum Friday nights, 7-9:30, through
July. Poets
wishing to perform should register at
AMRSVP@si.edu.
For more information, visit
anacostia.si.edu.
© 2004
The Washington Post Company